
Culture
In Georgetown, it’s a nice day for a ‘Blood Wedding’
One of Seattle’s most inventive theater directors is inviting you to a wedding — in the loading dock of a
Misha Berson was the chief theatre critic for The Seattle Times for 25 years. Now a freelance writer and teacher, her work appears in The Seattle Times, American Theatre and other publications, and sh
One of Seattle’s most inventive theater directors is inviting you to a wedding — in the loading dock of a
Remarkable performances elicit sympathy for the devil.
A handsome young man gazes at a flattering portrait of himself created by an admirer and whispers a wish to
Dael Orlandersmith explores the racial unrest that followed the killing of Michael Brown.
Is a cozy, unassuming storefront playhouse, one nestled between a bakery and a pub in the still-folksy heart of West