We like to think of creativity as a mysterious, indeterminate quality that resists being measured. But it's also a potent economic reality, as the National Endowment for the Arts emphasizes — through the drama of statistics — in a comprehensive new report [PDF] [http://www.arts.gov/research/Artists
Andrew Weems stars in Namaste Man, directed by Bart Sher, a fascinating one-man play that shuttles between boyhood memories and Eastern wisdom, New York and Nepal.
The handsome new space is a striking work of architecture, and the exhibits make up a "meta-museum," continually asking questions about how a museum should relate to its community.
The production opens with a stunning scene, but there are a few fatal mistakes in this play about fate and war.
The upstart crow founder and director lends her talents to Seattle Shakespeare in a riveting and relevant “Richard II.”
