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Life lessons from a dead goat, following a real-life tragedy

Following the death of Mark Chamberlin, a longtime actor and board member with New Century Theatre, 'O Lovely Glowworm' must, and will, go on this weekend.

Life lessons from a dead goat, following a real-life tragedy

by

Bond Huberman

Following the death of Mark Chamberlin, a longtime actor and board member with New Century Theatre, 'O Lovely Glowworm' must, and will, go on this weekend.

What can we learn from a play about a stuffed goat stuck on a trash heap? According to director Roger  Benington, we can remember why life is worth living.

O Lovely Glowworm is  a play about such a goat, who, unsatisfied with his current condition,  works hard at dreaming up a better story of his life. And while he is  mostly inspired by commercial product packaging lying around him —  the waste of the Irish community that threw him out in the first place — he divines magical and uplifting narratives starring unicorns,  mermaids, wacky inventors, and more. (And Harmony J.K. Arnold’s costumes  promise to make these roles shine.) A prisoner in circumstance and in  body, the goat is raucous and free in his imagination.

Written by Glen Berger, the  play seems on par with three previous productions by New Century Theatre Company (NCTC) — The Adding Machine, Orange Flower Water, and On the Nature  of Dust — in which unique characters and their ordinary problems  (crappy bosses, cheating spouses, crazy mothers) exist in slightly askew  yet familiar universes where time is gently bent, reality is quietly  distorted — and the theater becomes the much needed antidote to a  world that is saturated with “real-time reality.”

In fact, in the often upside-down  world of NCTC shows, unfathomable events shown through a whimsical prism  become a little more tangible, a little easier to move around in your  head.

This description, unfortunately,  is made more accurate by a recent tragedy that occurred while the play  was still in rehearsals.

Mark Chamberlin, 55, an established  local actor and NCTC board member, was expected to play the goat in this  production. Shockingly, he passed away on March 22 from complications following a bike accident.

The loss of Chamberlin creates a noticeable hole in this community. With  over 20 years experience in this town, he had become a  familiar and respected face in productions throughout the regional theater  circuit, including Seattle Rep, ACT, Seattle Shakespeare Company, and  Taproot. A husband and father, he also devoted his time to various off-stage activities including renovating houses, cycling, and volunteering for the ALS  Association.

NCTC has decided to dedicate Glowworm to the memory of Chamberlin. Company member  Michael Patten has replaced him in the role of the goat. Jennifer Lee  Taylor, Peter Dylan O’Connor, and MJ Sieber, among others, also star.

When asked how the team has  coped with such difficult loss behind the scenes, Benington, striving  to keep a positive outlook as he geared up for opening night, focused  on the core message of the play, which is all too apropos:

“This is a play about a dead  goat that comes back to life because he’s in so much pain — and  he creates these scenes of great beauty as an attempt to escape his  pain. I love that throughout the play characters keep coming back to  life. They find reasons to go on living — big reasons like love and  faith. There is humor in this, but also something profound.

“The play asks: what would  you live for; what would you come back to life for?

“One of the gifts that we  have, as we perform the show, is that the experience of Mark’s death  informs the work and gives another layer of meaning and significance.  It’s very sad, but life does go on. And the play honors him.”

Benington, who also directed  the American premiere of "Shine: A Burlesque Musical" at Theatre  Off Jackson, along with several productions at Washington Ensemble Theatre,  also contributes his set-design skills to this production. Instead  of depicting a literal trash heap, or Irish countryside, the set asks audiences  to take an immediate leap of faith, and orient themselves to watching  a talking goat perform in front of a giant swan.

Thank goodness.

At a time of profound loss, there’s no better backdrop than one conceived out of this world.   Especially one in which unicorns make you giggle and goats remind you  to do the best you can with whatever little heap you can call your own.

If you go: O, Lovely Glowworm, New Century Theatre Company, through May 14 at Erickson Theater, 1524 Harvard Ave. Tickets cost $5 to $25 and are available by phone (800-838-3006) or online. Donations can me made in  honor of Mark Chamberlin’s memory to the Evergreen Chapter of the  ALS Association.

Donation CTA